Screening & Discussion: 3rd i NY Presents: The Mute (El Kharsaa) with Lead Actress Samira Ahmed in Attendance
Thu, May 16, 2013 6:30 pm at Alwan for the Arts
by Hassan Al Imam, Egypt, 1961, 111 mins. (Arabic only)
Starring Samira Ahmed (in Attendance) Emad Hamdy and Hassan Youssef
The Film Has No English Subtitles
Free and Open to the Public
El Kharsaa (The Mute) ranks as one of Hassan Al Imam's earliest masterpieces. The Mute puts its protagonist, Samira Ahmed, on stage as one of the leading actresses of the golden age of Egyptian cinema,
The Mute is the story of Naiima. who is mute and living with her father and abusive stepmother, poor peasants, in a village in upper Egypt. A newly arrived doctor (Emad Hamdy) takes pity and employs her as his assistant, and for whom she develops an infatuation. One night while attending a village fair, the son of a prominent villager rapes and impregnates her.
Persecuted by her family and the villagers, who mistakenly think that the doctor is the culprit, Naiima is aided by her soldier cousin (Hassan Youssef), who helps her through her ordeal. Once she gives birth, the rapist's father tries to kidnap the child. In the altercation, he kills Naiima's father but is severely wounded by Naiima. She is arrested and, in a climactic scene, put on trial where she has to defend herself in sign language.
Samira Ahmed has more than 85 films to her credit as an actress and several others as a producer. Her abiding sincerity, elegant demeanor, and gracious poise stood their ground at a time when Egyptian cinema was at its height, clamored with a fierce number of leading actors and actresses, directors and productions houses. Mentored by legendary figures in the history of Egyptian cinema, Abdel Wareth Assar and to some degree Anwar Wagdi, Ahmed's career started in the early 1950s. Other than El Kharsaa, markers of her artistry include serious dramas such as Aghla Min Inaya (Dearer than my Eyes, 1955), and Hal Ana Magnouna (Am I Insane, 1962). Qandil Umm Hashem (Umm Hashem's Lantern, 1968) and Al-Shaymaa' (1973). She also collaborated with Abdel Halim Hafez in Al-Banat Wal-Seif (Girls and the Summer, 1960) and Farid al Attrash in Shati' Al-Hubb (Shore of Love, 1961) in lighter romantic roles.
Later in her career Samira Ahmed has turned her attention to film production and also acting in television series such as Didd Al-Tayyar (Against the Current, 1996), and Mama Fi El-Qism (Mother in the Police Station, 2010)
About 3rd i NY
3rd I New York’s monthly film/video/media salon is designed by local filmmakers and cultural producers to showcase the works of independent media makers of South Asian, Central Asian, and Arab descent. Providing alternative forums for these filmmakers who often have few venues to showcase their work and whose cultures and histories are often demonized or misrepresented in mainstream media, not only increases their visibility, but also provides a social forum for peers and audiences to participate in an ongoing discussion.
Sponsors3rdi NY Film Programming is made possible in part with public funds from the Fund for Creative Communities, supported by New York State Council on the Arts, and the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs, both in partnership with the Lower Manhattan Cultural Council. Alwan for the Arts hosts our monthly screenings series. We are thankful to the SINGH Foundation for acting as our fiscal sponsor
Alwan's programs are made possible, in part, with public funds from the New York State Council of the Arts (NYSCA) and New York City Department of Cultural Affairs in Partnership with the City Council.
Last updated: 2014-04-07 18:22:36
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